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  • gonejustlike
    become inseparable A Frisell guitar riff may be unmistakeable but also ambiguous and elusive Significantly he s not working with jazz musicians this time out For percussive support Frisell employs longtime rock pop drummer Jim Keltner a veteran of sessions with Bob Dylan Randy Newman and John Hiatt all explorers of American pop songs Keltner contributes a steady foundation percussive accents and an unapologetic backbeat From the Nashville CD country western and bluegrass bassist Viktor Krauss returns On aggressive tracks like the dark somewhat pensive Blues For Los Angeles and Lookout For Hope Keltner and Krauss quickly lock into a deep relentless groove that propels Frisell s gritty blues inflected guitar lines This new version of Lookout For Hope carries an undercurrent of malevolence that adds to the tension as the guitarist s solo progresses into a feral howl The versatility of the rhythm section provides a considerable advantage as the trio mixes and matches disparate musical elements Gone Just Like a Train begins as a thoughtful quasi tango but culminates with the guitarist rocking out over a frat rock rhythm Upbeat and bouncy Raccoon Cat is a Frisell s tribute to rockabilly while Egg Radio combines a reggae beat

    Original URL path: http://www.bryanaaker.net/gonejustlike (2016-04-27)
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  • The Bill Frisell Discography What Goes Around notes
    for the Nashville sessions In that tuning the guitar would ring with these wonderful overtones I wouldn t have heard the melody in the same way if I had been playing in regular tuning On Nashville Frisell played Brother in standard tuning except for dropping the low E string down to C As for the overtones he heard when he originally composed the piece he counted on the contributions of dobro player Jerry Douglas and bassist Viktor Krauss Dan Ouellette WHAT GOES AROUND from the editors of Acoustic Guitar Magazine This tune incorporates many Frisell trademarks such as the quirky harmonics in the introduction The harmonics weave in a C note but then the song begins in the key of C Your finger placement for the harmonic at the fret which can also be played at the ninth fret needs to be a little more precise than with the more resonant 12th seventh and fifth fret natural harmonics picking closer to the bridge will also help it ring out clearly When the melody begins it is played almost entirely on the first string relying on slides and hammer ons for its legato flavor Another Frisell trademark is a melody that

    Original URL path: http://www.bryanaaker.net/whatgoesonlinernotes (2016-04-27)
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  • hershfrisellad

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    Original URL path: /hershfrisellad (2016-04-27)


  • The Bill Frisell Discography

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    Original URL path: /summerrunningband (2016-04-27)


  • handwrittennote

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    Original URL path: /handwrittennote (2016-04-27)


  • The Bill Frisell Discography Sheik'sPress Kit
    has its genesis last year when Duncan Sheik began collaborating with New Year playwrite Steven Sater who he d met a Soka Gakkai International a lay Buddist organization Sater who directs the SGI arts division approached Sheik to ask if

    Original URL path: http://www.bryanaaker.net/sheikpress2001 (2016-04-27)
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  • magazinead2001

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    Original URL path: /magazinead2001.html (2016-04-27)


  • The Bill Frisell Discography Sony Import 2001

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    Original URL path: /sonyimport2001 (2016-04-27)




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